The Windmill, Brixton
âAll my life I just wanted to live.â
Coalescing with tonightâs venue, a breeding ground for those on genres' outskirts, The Windmill supports the overseas dance-punk outfit, Lip Critic, for a voracious foray into their prized debut LP.
If it werenât evident before, the insatiable hunger for punkâs experimental scene surges stronger than ever - look no further than Viagra Boys' audacious carelessness, Idles' matured evolution, Amyl and the Sniffers' brazen hysteria (so on and so forth). For Lip Critic, this venture amongst their recent provisions prove simultaneously frenetic and infectious for tonight's mosh-thirsty crowd. Consuming the cramped confines of Brixtonâs Windmill, the crowd imminently macerate one another, transforming our crucible into a makeshift-sauna. âMilky Maxâ compounds this frenzy further, hooks seething with distorted synths and interspliced with chaotic breakbeats, ultimately revelled at its cataclysmic chorus (âAll my life I just wanted to live / Now I gotta die just because of what I didâ).
Retaining an eerie reminiscence to Gorillazâs knack for pairing dance-inspired beats with abrasive rock-driven anthems, as well as a likeness to more recent contemporaries Maruja and Model/Actriz, Lip Critic continually brim with an enticing enthusiasm. Personified by their other latest singles âThe Heartâ and âItâs the Magicâ, the 4-piece outfit show signs of a punk-led defiance (launching, diving, spreading amongst the crowd) alongside singalong choruses which veer into the realms of modern art-rock a-la Everything Everything (âAll that time I waited just to find out Iâm from hell / I burn right through my mortal shellâ).
Although these sounds prove familiar and favourable with tonightâs audience, such an aura proves trite and stale in moments; perhaps succumbing to the lack of diverse instrumentals on-stage (2 drummers, 2 synth players). Whilst such tracks as âAngelâ offer a jazzier, matured avenue into the somewhat shallow discography of Lip Critic, their remaining tracks performed tonight (âIn the Wawaâ, âEntry Level Studâ) fall short of offering much else to the bandâs dynamic, a tangible weariness from the crowd as the set naturally concludes.
Yet the future deems bright for this up-and-coming NYC band looking to revitalise and rejuvenate the âpostmodernâ dance-punk scene once and for all - stricken from the days of LCD Soundsystem. With the crowd bristling and bustling against one another, The Windmill proved the perfect accompanier to Lip Critic. Housing their highly-anticipated debut LP which, whilst underbaked in parts, personifies a promising trajectory for such a cantankerous band looking to set alight each untouched patch of the underground scene.
6.5/10
Lip Critic's debut LP, Hex Dealer, is out now via Partisan Records and can be found below.
Photos is courtesy of Alex Howard whose work can be found here.